TYGER QUARTERLY
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Issue 1: Spring 2022

  1. Serena Solin
  2. Toby Altman  
  3. S. Brook Corfman
  4. Katana Smith
  5. Natalee Cruz
  6. Emma Wilson
  7. Ashley Colley
  8. Colin Criss 
  9. Jack Chelgren
  10. Stefania Gomez 

Issue 2: Summer 2022
  1. Matthew Klane
  2. Ryan Nhu
  3. TR Brady
  4. Alana Solin
  5. K. Iver
  6. Emily Barton Altman
  7. William Youngblood
  8. Alex Wells Shapiro  
  9. Sasha Wiseman
  10. Yunkyo Moon-Kim


Issue 3: Fall 2022
  1. Sun Yung Shin
  2. Rosie Stockton
  3. Adele Elise Williams & Henry Goldkamp
  4. Noa Micaela Fields
  5. Miriam Moore-Keish
  6. Fred Schmalz
  7. Katy Hargett-Hsu
  8. Alicia Mountain
  9. Austin Miles
  10. Carlota Gamboa

  Birthday Presents
       for William Blake

    Five Words for William Blake
        on His 265th Birthday
            (after Jack Spicer)
 


Issue 4: Winter 2023

  1. MICHAEL CHANG 
  2. Daniel Borzutzky
  3. Alicia Wright
  4. Asha Futterman
  5. Ellen Boyette
  6. S Cearley
  7. Sebastián Páramo
  8. Abbey Frederick
  9. Caylin Capra-Thomas
  10. maryhope|whitehead|lee & Ryan Greene


Issue 5: Spring 2023

  1. Jose-Luis Moctezuma 
  2. Peter Leight
  3. Rachel Galvin
  4. Sophia Terazawa
  5. Katherine Gibbel
  6. Lloyd Wallace
  7. Timothy Ashley Leo
  8. Jessica Laser
  9. Kira Tucker
  10. Michael Martin Shea


Issue 6: Summer 2023

An Introduction to Tyger Quarterly’s The Neo-Surrealist Interview Series

1. Mary Jo Bang 
2. Marty Cain 
3. Dorothy Chan 
4. Aditi Machado 
5. Alicia Mountain
6. Serena Solin
7. Marty Riker 
8. Francesca Kritikos
9. Luther Hughes
10. Toby Altman

Bonus: William Blake Tells All


Issue 7: Fall 2023 


1. Dennis James Sweeney 
2. M. Cynthia Cheung
3. Nathaniel Rosenthalis
4. Reuben Gelley Newman
5. James Kelly Quigley 
6. Christine Kwon
7. Maxwell Rabb
8. Maura Pellettieri 
9. Patty Nash 
10. Alyssa Moore


Issue 8: Winter 2024
1. Julian Talamantez Brolaski
2. Elizabeth Marie Young
3. Michael Gardner 
4. Steffan Triplett 
5. Margaret Yapp
6. Chelsea Tadeyeske
7. June Wilson 
8. Dawn Angelicca Barcelona
9. Evan Williams 
10. Brendan Sherry 


Issue 9 + 10: Spring/Summer 2024
1. Emily Pittinos 
2. Lisa Low 
3. Binx Perino 
4. Kai Ihns
5. Alex Tretbar 
6. Joanie Cappetta 
7. Mike Bagwell
8. Kelly Clare
9. Antonio Vargas-Nieto 
10. Olivia Sio Tse 

//

11. Jackson Watson
12. Myka Kielbon
13. Henie Zhang
14. David Brennan
15. Ann Pedone
16. Maddy Chrisman-Miller
17. Ronnie Sirmans
18. Evan Goldstein
19. Anne Marie Rooney
20. Cameron Lovejoy


Issue 11: Fall 2024
This issue of Tyger Quarterly is coming out on the 267th birthday of William Blake. Around 1826 Blake printed his Laocoön, at the top reads “Where any view of Money exists Art cannot be carried on but War only.” In this spirit of Blake, rather than putting out a new issue of poetry, the Tygers of Tyger Quarterly have put together links to writing, and other medias, that have figured as meaningful reading, writing, listening as we continue the fight to end Israel’s ongoing genocide in Palestine.

1. My Palestinian Poem that “The New Yorker” Wouldn’t Publish by Fady Joudah (from LARB)
2. No Human Being Can Exist + No Human Being Can Exist by Saree Makdisi (from N+1)
3. Under the Jumbotron + William Blake’s ‘Laocoön’: Why this poet’s engraving reads like a protest poster” by Anahid Nersessian (from LRB + The Yale Review) 
4. On Israel and Lebanon: A Response to Adrienne Rich from One Black Woman by June Jordan (from New York War Crimes)
5. Genocide Leaves No Illusions in Tact by Yasmeen Daher (from Verso)
6. Can You Tell Us Why This Is Happening: Testimonies from Gaza (from N+1)
7. Landing: Skateboarding in Palestine by Maen Hammad (Bonus Documentary: Epicly Palestined: The Birth of Skateboarding in the West Bank) (from N+1 + SkatePal)
8. Palestine is Everywhere, and It Is Making Us More Free: More Letters from The Apocalypse by George Abraham and Sarah Aziza (from The Nation)
9. Liberation Pedagogy at the People’s University for Gaza by Amir Marshi (from MQR)
10. “We,” A Poem for Palestine by Ghayath Almadhoun (from Outlook India) 
11. Resources Towards a Free Palestine (from Mizna)
12. Crimes Against Language: The Moral Truth of Israel’s War Against Gaza is not Difficult to Grasp by Sarah Aziza (from The Baffler)
13. Israelism: The Awakening of Young American Jews dir.  Erin Axelman and Sam Eilertsen
14. [excerpt from Palestine (+100)] Editor’s Introduction by Basma Ghalayini +  “The Curse of the Mud Ball Kid” by Mazen Maarouf (translated by Jonathan Wright)
15. If I Must Die by Refaat Alareer (from In These Times)



Email: tyger quarterly @ gmail dot com 



©2022 TQ



TIMOTHY ASHLEY LEO








ON A DOG DAY

Maya & The English Elegy



XIV.














XV.














XVI.















XVII.









“I will detach my affection, mother,”                 “and fix it to this tree.”
“I will be bold, I will double my feet, walk twice as far, and find you
not there but here where I left you holding the steering wheel, turning
off cruise-control and turning off the interstate, pulling over to assure me
you would drive to the asylum—were it left open—for me. For me a
booster seat, a warped guardrail, a lamppost, a sturdy utility pole to wrap
around. Much like this tree.”  “This dash is my forehead, the fireman called
the cops and the ambulance only has one stretcher.”  “If you don’t foot the
bill, my god, the city will.”  Maya looks for a nail, she’s found the hammer,
and in her right hand hangs a red onion bag netted and heavy with fat.





“Rot my mouth, my teeth, my jaw away—lay me down, spread my calf
muscle and find my fibula, ligate its vessels, and make of the bone my
next mandible so that I may repeat this blessing, spit on your curse and rot
again.”  “I didn’t know saving you would let him walk free, leaving
me forever swaying by the river.”  “I am wet with you and wet with me
seeping through every pore and lacrimal duct, every channel and outlet
worked back to my borderless core.”  “My life-stuff is your labor, your
labor is my life. I never wanted my syrinx though I loved the numbness
after the pain, but this weakness, this tingling, this loss of hot and cold
won’t do, not in my legs, not in my arms, and please—not in my palms.”





“I wash your body now, I’ll wash it again after I force breath down
your mouth after I stop and your nieces, your nephews lay their hands
on your breast, the damp cloth balled in each whisperer’s fist.” “In each
loss a prior birth, a prior warmth, a mouth that never knew hunger for
heart was fed from heart, body from body. Now I’m jawbone from gill-
arches, I am. Bite. Crush. Chew.

                                                             Iron would not know rust without a touch
of chlorophyll, sky would not be blue, a worm-like animal would not push
out its mouth, spined and toothed and clawed to pull back in a notochord
through viscera, the battered debris of another frond-like creature of the sea.”





“I try crying until”  I  “cannot see. Try the thumb-sucking exercise, try acting out the illness, try nicking the lobe in two places; try big, try small, try surface, try safety, try a stage, a diet, feedback, fever dreams, method acting—the emotional labor of a service worker rattling off treatments for interstitial lung disease though bed-bound herself, demented, unable to butter toast without a helping hand. I will


keep living, I’ll go to the funeral games. This is my alley; come up it, come up it.”







Biographical Statement


Timothy Ashley Leo is a poetry editor for Dialogist. His work may be found in Conjunctions, Lana Turner, Narrative Magazine, and elsewhere. He holds an MPhil in History from Oxford University and a medical degree from Harvard University. A member of the surgical house staff at the University of Chicago, he lives in Hyde Park.