TYGER QUARTERLY
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Issue 1: Spring 2022

  1. Serena Solin
  2. Toby Altman  
  3. S. Brook Corfman
  4. Katana Smith
  5. Natalee Cruz
  6. Emma Wilson
  7. Ashley Colley
  8. Colin Criss 
  9. Jack Chelgren
  10. Stefania Gomez 

Issue 2: Summer 2022
  1. Matthew Klane
  2. Ryan Nhu
  3. TR Brady
  4. Alana Solin
  5. K. Iver
  6. Emily Barton Altman
  7. William Youngblood
  8. Alex Wells Shapiro  
  9. Sasha Wiseman
  10. Yunkyo Moon-Kim


Issue 3: Fall 2022
  1. Sun Yung Shin
  2. Rosie Stockton
  3. Adele Elise Williams & Henry Goldkamp
  4. Noa Micaela Fields
  5. Miriam Moore-Keish
  6. Fred Schmalz
  7. Katy Hargett-Hsu
  8. Alicia Mountain
  9. Austin Miles
  10. Carlota Gamboa

  Birthday Presents
       for William Blake

    Five Words for William Blake
        on His 265th Birthday
            (after Jack Spicer)
 


Issue 4: Winter 2023

  1. MICHAEL CHANG 
  2. Daniel Borzutzky
  3. Alicia Wright
  4. Asha Futterman
  5. Ellen Boyette
  6. S Cearley
  7. Sebastián Páramo
  8. Abbey Frederick
  9. Caylin Capra-Thomas
  10. maryhope|whitehead|lee & Ryan Greene


Issue 5: Spring 2023

  1. Jose-Luis Moctezuma 
  2. Peter Leight
  3. Rachel Galvin
  4. Sophia Terazawa
  5. Katherine Gibbel
  6. Lloyd Wallace
  7. Timothy Ashley Leo
  8. Jessica Laser
  9. Kira Tucker
  10. Michael Martin Shea


Issue 6: Summer 2023

An Introduction to Tyger Quarterly’s The Neo-Surrealist Interview Series

1. Mary Jo Bang 
2. Marty Cain 
3. Dorothy Chan 
4. Aditi Machado 
5. Alicia Mountain
6. Serena Solin
7. Marty Riker 
8. Francesca Kritikos
9. Luther Hughes
10. Toby Altman

Bonus: William Blake Tells All


Issue 7: Fall 2023 


1. Dennis James Sweeney 
2. M. Cynthia Cheung
3. Nathaniel Rosenthalis
4. Reuben Gelley Newman
5. James Kelly Quigley 
6. Christine Kwon
7. Maxwell Rabb
8. Maura Pellettieri 
9. Patty Nash 
10. Alyssa Moore


Issue 8: Winter 2024
1. Julian Talamantez Brolaski
2. Elizabeth Marie Young
3. Michael Gardner 
4. Steffan Triplett 
5. Margaret Yapp
6. Chelsea Tadeyeske
7. June Wilson 
8. Dawn Angelicca Barcelona
9. Evan Williams 
10. Brendan Sherry 


Issue 9 + 10: Spring/Summer 2024
1. Emily Pittinos 
2. Lisa Low 
3. Binx Perino 
4. Kai Ihns
5. Alex Tretbar 
6. Joanie Cappetta 
7. Mike Bagwell
8. Kelly Clare
9. Antonio Vargas-Nieto 
10. Olivia Sio Tse 

//

11. Jackson Watson
12. Myka Kielbon
13. Henie Zhang
14. David Brennan
15. Ann Pedone
16. Maddy Chrisman-Miller
17. Ronnie Sirmans
18. Evan Goldstein
19. Anne Marie Rooney
20. Cameron Lovejoy


Issue 11: Fall 2024

Laocoön, at the top reads “Where any view of Money exists Art cannot be carried on but War only.” In this spirit of Blake, rather than putting out a new issue of poetry, the Tygers of Tyger Quarterly have put together links to writing, and other medias, that have figured as meaningful reading, writing, listening as we continue the fight to end Israel’s ongoing genocide in Palestine.

1. My Palestinian Poem that “The New Yorker” Wouldn’t Publish by Fady Joudah (from LARB)
2. No Human Being Can Exist + No Human Being Can Exist by Saree Makdisi (from N+1)
3. Under the Jumbotron + William Blake’s ‘Laocoön’: Why this poet’s engraving reads like a protest poster” by Anahid Nersessian (from LRB + The Yale Review) 
4. On Israel and Lebanon: A Response to Adrienne Rich from One Black Woman by June Jordan (from New York War Crimes)
5. Genocide Leaves No Illusions in Tact by Yasmeen Daher (from Verso)
6. Can You Tell Us Why This Is Happening: Testimonies from Gaza (from N+1)
7. Landing: Skateboarding in Palestine by Maen Hammad (Bonus Documentary: Epicly Palestined: The Birth of Skateboarding in the West Bank) (from N+1 + SkatePal)
8. Palestine is Everywhere, and It Is Making Us More Free: More Letters from The Apocalypse by George Abraham and Sarah Aziza (from The Nation)
9. Liberation Pedagogy at the People’s University for Gaza by Amir Marshi (from MQR)
10. “We,” A Poem for Palestine by Ghayath Almadhoun (from Outlook India) 
11. Resources Towards a Free Palestine (from Mizna)
12. Crimes Against Language: The Moral Truth of Israel’s War Against Gaza is not Difficult to Grasp by Sarah Aziza (from The Baffler)
13. Israelism: The Awakening of Young American Jews dir.  Erin Axelman and Sam Eilertsen
14. [excerpt from Palestine (+100)] Editor’s Introduction by Basma Ghalayini +  “The Curse of the Mud Ball Kid” by Mazen Maarouf (translated by Jonathan Wright)
15. If I Must Die by Refaat Alareer (from In These Times)



Email: tyger quarterly @ gmail dot com 



©2022 TQ



MICHAEL MARTIN SHEA








from I’M SORRY BUT NONE OF THIS IS MY FAULT



*


I never asked to be born into this life. A ziggurat bows before its people. A dog shits according to its whimsy. The clouds amassed in the western oval before settling themselves like fat grackles in the branches of the pear tree. Hegel was a little bitch with an ornate member. An apple lurks amongst the spell books. Depression hovers like a drone. I log in to erase the details of my birth from the Department of Psychic Registration. Nascence drifts through the HVAC vents. Ants know and fear death, which makes it fun. The foul rivers are afresh again. Salmon: dead. Oysters: dead. Monarchs: dead. Yet the prince of thieves still reigns supreme. Am I sullen, wanton, or full of semen? Am I joyful, erogenous, or slowly dying from some rare form of cancer? History will look unkindly on what we did to blogging. A lost ball descends into a better world.



*



A menagerie of sirens announces the morning. A portal beckons from across the pond. At the party I describe seeing my own heart on the monitor as an aesthetic-religious experience and am met with an incredulity that borders on violence. Debt descends upon the garden. Music misses its other. Each morning I stand at attention to salute the elaborate interstate networks of my youth, soon to be consumed by the sea. An email says eat plantains! An op-ed encourages you to buy a gun. Profits are caught in the drain trap. A crane collapses into hysterics. A mystic chokes to death on a pretzel. What comes next is a more sadistic form of baseball. There is nothing to be done about the inestimable sadness, but at least it’s tomato season. Say what you will about 9/11, but it certainly wasn’t dull.




*

Bass drops into the forbidden registers. A crystal surfaces in the north. I never liked drugs as much as I wanted to, too prone to the kinds of interiority not depicted in “the movies.” Flesh edges into a compartment. The magi speak of a new horror in delirious tones. Each morning I find myself wishing for the sight of cleavage or a new wall calendar, some small pill to ease the long hallway of day. Sunlight glints off the amplifier. Panic crashes like a horse. My mother said that life is a progression from oneness to twoness to multiplicity, as if it weren’t up for discussion. A ladder arranges itself in the kitchen. A militia assembles in the hills. I’ve found a lovely pink cloud to inhabit, to decorate and think inside of, pacing madly like a swan. It feels like the warm fuzz of a space heater or the thin prick of a flu vaccine. November drips like an icicle. A street urchin slays the mighty airline magnate. Under the eye of the atavist. Under the deep harmonium of brain.



*

A woman abandons theosophy. The libido falters in the face of a slashed budget. A shooting solves a problem. I wanted to go out and party but I also wanted to cultivate the kind of nuanced complacency available only to patriarchs in the golden age of capitalism. A hornet requests a hearing. The salutatorian ventures into the swamp. Each morning I ask for a kind of stillness that will accept me into itself like an extremist sect and then roll over to read the news on my phone. Thursday again? Lunch time again? Vehicle crash with multiple injuries, police on scene? I like black coffee and what it feels like to watch a tomato seedling slowly push upwards through potting soil in a year of unfortunate dying. My fingers stroke the length of your duodenum. The woodland creatures pitch their tents in my throat. For six years I have hunted for the words to describe the type of ego death I experience while listening to this Spotify track. Here’s what I’ve come up with so far:


*

When you die, you’ll take me with you, like the icecaps. A pubis breaches the bathwater. The bereavement attendant saunters on the lawn. The talking heads were surprised by the gunman, though they soon were thick as thieves, the masses, or the dictionary. When the trinkets crack, then the bad thing happens. Poach my brain in a soup of pornography, anesthetize me with assfucking, melt my spine into a supine position, avenge my tormentors with a retinue of dog dicks. Rubber-neckers hover over the republic. Jackals cackle in the armoire. Mostly I’m amazed to be still capable of such grief, gasping for breath in someone else’s robe, in someone else’s vision, in someone else’s familial structure, yet detached from my body and marveling at the spectacle of it all. Hens cluck at me from the houses of the wealthy. Tattoos linger like a viral load. When this dream ends, I will join a militia to hunt oil executives through the lazy canals of the eastern seaboard. A bullet buzzes like an alarm clock. There are no good trains to place your head in front of anymore.





Biographical Statement


Michael Martin Shea is the author of three chapbooks of poetry and hybrid prose: "Soon" (Garden-Door Press), The Immanent Field (Essay Press), and Comparative Morphologies (above/ground press). He is also the translator of the Argentine poet Liliana Ponce, and has published two bilingual chapbooks of her work. His poems and translations have appeared or are forthcoming in Colorado Review, Conjunctions, Guernica, Fence, jubilat, New England Review, Poetry, TYPO, and elsewhere. He lives in Philadelphia, PA, where he is a doctoral candidate in Comparative Literature and Literary Theory at the University of Pennsylvania.