TYGER QUARTERLY
About / Submit

Issue 1: Spring 2022

  1. Serena Solin
  2. Toby Altman  
  3. S. Brook Corfman
  4. Katana Smith
  5. Natalee Cruz
  6. Emma Wilson
  7. Ashley Colley
  8. Colin Criss 
  9. Jack Chelgren
  10. Stefania Gomez 

Issue 2: Summer 2022
  1. Matthew Klane
  2. Ryan Nhu
  3. TR Brady
  4. Alana Solin
  5. K. Iver
  6. Emily Barton Altman
  7. William Youngblood
  8. Alex Wells Shapiro  
  9. Sasha Wiseman
  10. Yunkyo Moon-Kim


Issue 3: Fall 2022
  1. Sun Yung Shin
  2. Rosie Stockton
  3. Adele Elise Williams & Henry Goldkamp
  4. Noa Micaela Fields
  5. Miriam Moore-Keish
  6. Fred Schmalz
  7. Katy Hargett-Hsu
  8. Alicia Mountain
  9. Austin Miles
  10. Carlota Gamboa

  Birthday Presents
       for William Blake

    Five Words for William Blake
        on His 265th Birthday
            (after Jack Spicer)
 


Issue 4: Winter 2023

  1. MICHAEL CHANG 
  2. Daniel Borzutzky
  3. Alicia Wright
  4. Asha Futterman
  5. Ellen Boyette
  6. S Cearley
  7. Sebastián Páramo
  8. Abbey Frederick
  9. Caylin Capra-Thomas
  10. maryhope|whitehead|lee & Ryan Greene


Issue 5: Spring 2023

  1. Jose-Luis Moctezuma 
  2. Peter Leight
  3. Rachel Galvin
  4. Sophia Terazawa
  5. Katherine Gibbel
  6. Lloyd Wallace
  7. Timothy Ashley Leo
  8. Jessica Laser
  9. Kira Tucker
  10. Michael Martin Shea


Issue 6: Summer 2023

An Introduction to Tyger Quarterly’s The Neo-Surrealist Interview Series

1. Mary Jo Bang 
2. Marty Cain 
3. Dorothy Chan 
4. Aditi Machado 
5. Alicia Mountain
6. Serena Solin
7. Marty Riker 
8. Francesca Kritikos
9. Luther Hughes
10. Toby Altman

Bonus: William Blake Tells All


Issue 7: Fall 2023 


1. Dennis James Sweeney 
2. M. Cynthia Cheung
3. Nathaniel Rosenthalis
4. Reuben Gelley Newman
5. James Kelly Quigley 
6. Christine Kwon
7. Maxwell Rabb
8. Maura Pellettieri 
9. Patty Nash 
10. Alyssa Moore


Issue 8: Winter 2024
1. Julian Talamantez Brolaski
2. Elizabeth Marie Young
3. Michael Gardner 
4. Steffan Triplett 
5. Margaret Yapp
6. Chelsea Tadeyeske
7. June Wilson 
8. Dawn Angelicca Barcelona
9. Evan Williams 
10. Brendan Sherry 


Issue 9 + 10: Spring/Summer 2024
1. Emily Pittinos 
2. Lisa Low 
3. Binx Perino 
4. Kai Ihns
5. Alex Tretbar 
6. Joanie Cappetta 
7. Mike Bagwell
8. Kelly Clare
9. Antonio Vargas-Nieto 
10. Olivia Sio Tse 

//

11. Jackson Watson
12. Myka Kielbon
13. Henie Zhang
14. David Brennan
15. Ann Pedone
16. Maddy Chrisman-Miller
17. Ronnie Sirmans
18. Evan Goldstein
19. Anne Marie Rooney
20. Cameron Lovejoy


Issue 11: Fall 2024
This issue of Tyger Quarterly is coming out on the 267th birthday of William Blake. Around 1826 Blake printed his Laocoön, at the top reads “Where any view of Money exists Art cannot be carried on but War only.” In this spirit of Blake, rather than putting out a new issue of poetry, the Tygers of Tyger Quarterly have put together links to writing, and other medias, that have figured as meaningful reading, writing, listening as we continue the fight to end Israel’s ongoing genocide in Palestine.

1. My Palestinian Poem that “The New Yorker” Wouldn’t Publish by Fady Joudah (from LARB)
2. No Human Being Can Exist + No Human Being Can Exist by Saree Makdisi (from N+1)
3. Under the Jumbotron + William Blake’s ‘Laocoön’: Why this poet’s engraving reads like a protest poster” by Anahid Nersessian (from LRB + The Yale Review) 
4. On Israel and Lebanon: A Response to Adrienne Rich from One Black Woman by June Jordan (from New York War Crimes)
5. Genocide Leaves No Illusions in Tact by Yasmeen Daher (from Verso)
6. Can You Tell Us Why This Is Happening: Testimonies from Gaza (from N+1)
7. Landing: Skateboarding in Palestine by Maen Hammad (Bonus Documentary: Epicly Palestined: The Birth of Skateboarding in the West Bank) (from N+1 + SkatePal)
8. Palestine is Everywhere, and It Is Making Us More Free: More Letters from The Apocalypse by George Abraham and Sarah Aziza (from The Nation)
9. Liberation Pedagogy at the People’s University for Gaza by Amir Marshi (from MQR)
10. “We,” A Poem for Palestine by Ghayath Almadhoun (from Outlook India) 
11. Resources Towards a Free Palestine (from Mizna)
12. Crimes Against Language: The Moral Truth of Israel’s War Against Gaza is not Difficult to Grasp by Sarah Aziza (from The Baffler)
13. Israelism: The Awakening of Young American Jews dir.  Erin Axelman and Sam Eilertsen
14. [excerpt from Palestine (+100)] Editor’s Introduction by Basma Ghalayini +  “The Curse of the Mud Ball Kid” by Mazen Maarouf (translated by Jonathan Wright)
15. If I Must Die by Refaat Alareer (from In These Times)



Email: tyger quarterly @ gmail dot com 



©2022 TQ



                                Alicia Mountain

                            





EACH MORNING I GET OUT OF THE BOAT



My god, I cannot promise that I will love you.
That is what I have promised everyone else
and we both know where it’s gotten me.

I have a real Jonah and the whale thing going.
This is the come-to-Jesus of a lifetime spent
Moby Dicking around.

That is to say I sailed away and sailed away each day
I heard your voice. It is humiliating to admit
there’s nothing wrong with me.

I have been writing this poem for thirty-three years.
In love I have been as good as I could be,
made coffee in the morning and never drank it.

My god, I won’t be good to you. I won’t try
to worthy my way into earning. God damn. Your wave
crashes over me and, hard as I try, I don’t drown.




GO AHEAD

AFTER KIM HYESOON’S “SUNSTROKE”
TRANSLATED BY DON MEE CHOI





Go ahead and prune the tree.
Go prune the tree where the fallow arms grow.
Go off and bring with you your knife and hook to prune the tree.
Go prune the tree the trees the tree beside the tree the tree not that tree that one.
Make a cut to give yourself a year ahead of better fruiting.
Make the cut with sharp knife and make it confident.
Make your cuts with light in mind that the sun will reach through to do its ripening.
And make them now so that the sap has time to flow and staunch and barrier-build out-        
        keeping disease.
Squeeze the shears which each small muscle in your hand and wrist and forearm sharp.
In the springtime stop to take your water in the shade.
The shade that never stops its shifting pulling back a daylong tide.
The shade is where you take your water to your mouth and pour it in.
The unpruned shade you go to rest and sit your back down against some trunk of some tree.
Put your head back and when you do you close your eyes.
You close your eyes so that they can see something besides what you see.
You close your eyes and the fruit is coming in big more than any season before.
You close your shaded eyes to the sun and its shadows and its work and the arms of the tree     
        and its reaching its holding.
Close your eyes to see the tree and pull the sun down through the leaves.
Pull the sun down through the leaves with your knife and let it go.




WAKE UP



when you wake up you can watch
you can touch and eat when you
wake up you can see me do some
gestures you wake up and you
wake up and you can wake up
when you can I will kiss you
or me I woke up and I said
you can sleep until you
wake up when you want
to see if we can reach
each other each one
of us awake and me
alive and you awake
and you awake to
kiss me or just
to watch to
wake to
watch
me





Biographical Statement:


Alicia Mountain is the author of Four in Hand (BOA Editions 2023) and High Ground Coward (Iowa 2018). She holds a MFA from the University of Montana and a PhD from the University of Denver. Mountain is a lesbian poet based in Brooklyn where she is an Assistant Teaching Professor in the Writer’s Foundry MFA program at St. Joseph’s University.